An analysis of evil potency in othello by william shakespeare

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Othello defends himself against Brabantio's accusation by personal statement and by calling Desdemona to testify. Iago is thus revealed as both an instigator and a man of crude sensibilities. Their emotional intensity structurally unites the drama. This description of Desdemona, depicting a young woman who knows exactly what she wants and reaches out for it, contrasts markedly with Brabantio's fond notion of a quiet, still small daughter. The ability to compose himself and to give a speech under pressure has been a valued quality in a military leader. He sees Brabantio's evidence as "thin habits insubstantial outward appearances and poor likelihoods" Glossary 'sblood 4 [Obsolete] euphemism for by God's blood; used as an swearword. Most helpful essay resource ever! Shakespeare makes this situation acceptable by showing, how the punishment he receives is severe enough to make us sympathize with him up to a point, in spite of his villainy. Othello survived an accusation made by a man who believed the facts supported his accusation, simply because his inflamed prejudices allowed him no other possible explanation. After all, Iago intends to keep a hand in this wealthy nobleman's pocketbook, which, Roderigo says, belongs to Iago, "as if the strings were thine" 3. He possesses no sense of right and wrong. These unity issues never became rules or standards that playwrights had to or did particularly follow, but they were known and may help the reader understand the relationship of the scenes in Othello. Online Available: www.

Considering that the play is set approximately in the late sixteenth century, Desdemona's defense of her actions is remarkably forthright, spirited, and courageous. This neglect on Iago's part — his failing to identify Othello — is dramatically important.

no fear shakespeare othello

The Prince of Denmark dies at the end and so does Antony and Othello. At such moments he always resorts to this imagery of money-bags, treachery, and animal lust and violence.

An analysis of evil potency in othello by william shakespeare

Roderigo is downcast and talks of drowning himself. Iago is a character regarding whom it might be impossible to form a favourable opinion. In this scene, Iago reveals himself to Roderigo and the audience as a self-seeking, malicious individual who will use every device in order to attain his "peculiar end" The Duke's attempts at conciliation fall on deaf ears. In other words, fathers must give way to husbands. The directness of this request takes even Othello by surprise. It is undue faith in the cunning Iago that Roderigo, the noble Venetian supports him and is also an accomplice to all his evil deeds, and it is again that faith overturned that deprives him of not only his wealth but also his life.

For this reason Johnson wrote that the tragedies of Shakespeare were neither tragedies nor comedies. Most helpful essay resource ever!

Act I, Scene 3 is the first of the very long scenes, where much detailed development happens.

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Ominous Evil in Othello